Gottfried Helnwein | ARTIST | Biography | Los Angeles Times: "Gottfried Helnwein - Dark Inspiration", Lynell George, January, 27, 2008.Los Angeles Times, "Dark Inspiration"

Perhaps though, you could say it is the spleen -- the seat of L.A.'s spirit. This narrow curve of artery, crowded with faded brick or concrete two- and three-story structures, rises above pock-marked asphalt that snakes through the edges of the arts district. Here on this evocative, sketchy block, the Austrian-born artist fell in love with Los Angeles and decided to decamp his Irish castle (part-time anyway) to call L.A. home.
As much as what he physically keeps close by while he works -- the books, newspapers, CDs, rubber dolls and plastic figurines -- the city's essence itself feeds his dark, uneasy work, which tends toward hyper-real renderings of violence and the grotesque: bandaged, broken children, scenes of torture, pooling blood, grimacing visages. "Ireland is paradise," he says, "but almost too. For my work I need an urban environment."
Some might think that Los Angeles -- its unrelenting sun, its one-step-away-from-reality perch -- is an incongruous place for someone like Helnwein. What he creates, regardless the medium -- watercolor, oil, photography, performance art, sculpture -- is a thorny psychological excursion into our sublimated self, our obscured corners and dark humors.


		GOTTFRIED HELNWEIN - DARK INSPIRATION Los Angeles Times Arts & Culture Lynell George 27. January 2008


		The artist, who has taken on war crimes, Catholicism and the Holocaust in his works, is inspired by the city. Perhaps though, you could say it is the spleen -- the seat of L.A.'s spirit. This narrow curve of artery, crowded with faded brick or concrete two- and three-story structures, rises above pock-marked asphalt that snakes through the edges of the arts district. Here on this evocative, sketchy block, the Austrian-born artist fell in love with Los Angeles and decided to decamp his Irish castle (part-time anyway) to call L.A. home. As much as what he physically keeps close by while he works -- the books, newspapers, CDs, rubber dolls and plastic figurines -- the city's essence itself feeds his dark, uneasy work, which tends toward hyper-real renderings of violence and the grotesque: bandaged, broken children, scenes of torture, pooling blood, grimacing visages. "Ireland is paradise," he says, "but almost too. For my work I need an urban environment." Some might think that Los Angeles -- its unrelenting sun, its one-step-away-from-reality perch -- is an incongruous place for someone like Helnwein. What he creates, regardless the medium -- watercolor, oil, photography, performance art, sculpture -- is a thorny psychological excursion into our sublimated self, our obscured corners and dark humors. GOTTFRIED HELNWEIN - DARK INSPIRATION , Los Angeles Times, Lynell George, 27. January 2008


01. October 2008