Gottfried Helnwein | ARTIST | News Update | GOTTFRIED HELNWEIN MEETS WITH ROY DISNEY AT HIS IRISH HOME IN CORK.

Helnwein briefes Roy Disney on the preparation of the Carl Barks museum retrospective and the publication of the book "Wer ist Carl Barks?" (Who is Carl Barks?), and discusses the influence of Walt Disney's aesthetics on the culture of the 20th century. ...

Helnwein, “White Christmas”
Installation ...

text by Andreas Mäckler. ...

hardcover
text by William S. Burroughs, Heiner Müller
and Reinhold Mißelbeck. ...

The painter of stark, often provocative pictures was interviewed by Andreas Maeckler.
The result is exciting to read from beginning to end.
Helnwein expresses himself in an outspoken and direct manner, without letting himself be drawn into profound theories.
It is interesting to note that he confesses not to be able to say why he paints a picture.
"I have never met an artist who thinks about this while he is working. And whenever he does comment about this, he must be lying."
(Münchner Merkur, June 4. 1992) ...

It is the function of the artist to evoke the experience of surprised recognition:
to show the viewer what he knows but does not know that he knows.
Helnwein is a master of surprised recognition. ...

Bis jetzt gab es sie nur einmal, die "48 Portäts von Persönlichkeiten, die die Moderne beeinflussten". Sie hängen in der Eingangshalle des renommierten Kölner Museum Ludwig, gemalt Anfang der 70er Jahre in fotorealistischer Manier von Gerhard Richter, 59. Die weniger nach inhaltlichen und mehr nach formalen Kriterien ausgewälten Porträts haben nicht nur einen Haken, aber den vor allem: sie zeigen ausschliesslich Männer. 20 Jahre später antwortete der Maler Gottfried Helnwein, 43, seinem Kollegen: Er malte die "48 Frauen-Persönlichkeiten". Die Wand im Museum, die den Männern gegenüberliegt, ist noch frei. ...

Keith Richards Portraits von Gottfried Helnwein ...

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	1992 Cork Ireland GOTTFRIED HELNWEIN MEETS WITH ROY DISNEY AT HIS IRISH HOME IN CORK. Helnwein organizes the first Carl Barks Museum retrospective Helnwein briefes Roy Disney on the preparation of the Carl Barks museum retrospective and the publication of the book "Wer ist Carl Barks?" (Who is Carl Barks?), and discusses the influence of Walt Disney's aesthetics on the culture of the 20th century. ...


	1992 Leopold Hoesch Museum, Düren Germany THE 4TH INTERNATIONAL BIENNALE OF PAPER ART Helnwein, “White Christmas” Installation ...


	1992 Benedikt Taschen Cologne Andreas Mäckler. HELNWEIN text by Andreas Mäckler. ...


	1992 Edition Stemmle Schaffhausen HELNWEIN FACES hardcover text by William S. Burroughs, Heiner Müller and Reinhold Mißelbeck. ...


	1992 The Schoemer Collection at the Foundation Fiecht, Austria Benediktinerabtei, St. Georgenberg AKTION - REAKTION, RAINER, NITSCH, BRUS, HELNWEIN group show ...


	1992 Publishing House C.H. Beck, München Interview with Gottfried Helnwein Andreas Maeckler ANDREAS MAECKLER TALKS WITH GOTTFRIED HELNWEIN Gottfried Helnwein, "PAINTINGS SHOULD BE LIKE ROCK MUSIC" The painter of stark, often provocative pictures was interviewed by Andreas Maeckler. The result is exciting to read from beginning to end. Helnwein expresses himself in an outspoken and direct manner, without letting himself be drawn into profound theories. It is interesting to note that he confesses not to be able to say why he paints a picture. "I have never met an artist who thinks about this while he is working. And whenever he does comment about this, he must be lying." (Münchner Merkur, June 4. 1992) ...


	1992 Leo Castelli Gallery New York HELNWEIN MEETS WITH ROY LICHTENSTEIN AT CASTELLI GALLERY IN NEW YORK ...


	1992 William S. Burroughs poet Helnwein, Faces Edition Stemmle HELNWEIN' S WORK It is the function of the artist to evoke the experience of surprised recognition: to show the viewer what he knows but does not know that he knows. Helnwein is a master of surprised recognition. ... Gottfried Helnwein, HELNWEIN FACES


	01. December 1991 EMMA 48 PORTRÄTS Bis jetzt gab es sie nur einmal, die "48 Portäts von Persönlichkeiten, die die Moderne beeinflussten". Sie hängen in der Eingangshalle des renommierten Kölner Museum Ludwig, gemalt Anfang der 70er Jahre in fotorealistischer Manier von Gerhard Richter, 59. Die weniger nach inhaltlichen und mehr nach formalen Kriterien ausgewälten Porträts haben nicht nur einen Haken, aber den vor allem: sie zeigen ausschliesslich Männer. 20 Jahre später antwortete der Maler Gottfried Helnwein, 43, seinem Kollegen: Er malte die "48 Frauen-Persönlichkeiten". Die Wand im Museum, die den Männern gegenüberliegt, ist noch frei. ... Gottfried Helnwein, "48 Portraits" of woman as counterpiece to Gerhard Richter's "48 portraits" of men


	26. July 1991 Süddeutsche Zeitung Magazin Christian Kämmerling ONLY ROCK 'N' ROLL Interview mit Keith Richards Keith Richards Portraits von Gottfried Helnwein ...