Some of the most powerful images that deal with Nazism and Holocaust themes are by Anselm Kiefer and Helnwein, although, Kiefer’s work differs considerably from Helnwein’s in his concern with the effect of German aggression on the national psyche and the complexities of German cultural heritage. Kiefer is known for evocative and soulful images of barren German landscapes.
But Kiefer and Helnwein’s work are both informed by the personal experience of growing up in a post-war German speaking countries...
William Burroughs said that the American revolution begins in books and music, and political operatives implement the changes after the fact. To this maybe we can add art. And Helnwein's art might have the capacity to instigate change by piercing the veil of political correctness to recapture the primitive gesture inherent in art.

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"... I believe the cure for any depression is expression in your heart, and Gottfried Helnwein was one of the most supportive people towards me. He was the one who gave me that advice, and he was correct with it.
'Personal Jesus' says everything that I would say if I were to write a song right now. I was listening to it on a CD I just bought because I wanted to really take a step away from the world. I wasn't sure if I was going to put out a 'best of' or if I was going to do anything in general with music, because there's a frustration level that the more commercial you are, the more marginal you are - also, the lack of art that exists in entertainment, and the lack of interest. People are much more content with watching The Real World and reality television, than living their own lives, or watching something that comes from imagination.
You know what it is? It's not even Bush's fault. It's America making itself the Third Reich.
Imagination is a necessity, and I don't think it's sort of bad. I can dream up some image like I did with Helnwein, and they're "bad," they're forbidden, but I can take an image that's far worse, that's on CNN and it's reality. So we can't get censored. It's the real world.
But that's a bad message to send to kids growing up, I think.
('The Golden Age of Grotesque':)
...I was not allowed to put the paintings on the cover of the record! Our anticipation was not to create album artwork. We wanted to collaborate and create something together, and we did not consider the Golden Age of Grotesque to be limited to an album.
...All I can say about it is I'm glad that it makes it into the collection of images that represent me as best as it could. I think that it just scratches the surface of what Gottfried and I could do together"
Marilyn Manson
Los Angeles, July 2004 ...

An urban oasis — The California Palace of the Legion of Honor is San Francisco's most seductively situated museum
From July 31-Nov. 28, the museum will present paintings, drawings and photographs by Austrian artist Gottfried Helnwein. The exhibit, titled "The Child: Works by Gottfried Helnwein," looks at children as innocent, yet exploited. ...

The Times:
"...these photo-paintings appear even more real than a photograph: they are hyper-real, super-saturated depictions of the world that surrounds us, as we would like to see it. Helnwein’s landscapes offer us the world as we see it in our mind’s eye, our memories.
What is certain is that with these works Helnwein has raised the bar for artists to come with art that is groundbreaking in terms of scale, skill and vision. Painted mountains, fields and sky can never be the same again." ...

Like Sylvia Plath, artist Gottfried Helnwein has a near-schizoid attitude toward Germany's National Socialists, producing images of that period ranging from the truly horrible to those bordering on an eerie reverence. Here his work Epiphany I, Adoration of the Magi (1996), in which the central female figure has a Plath-like intensity. ...

Continuing the theme of documenting the landscape, internationally renowned artist Goffried Helnwein will exhibit a number of large-scale photo-realist canvases depicting Irish landscapes. Helnwein lives for much of the year in Co. Tipperary and his paintings illustrate the drama and the beauty of the countryside as well as revealing the changing landscape of Ireland.
Helnwein, (born in Vienna in 1948), is a formidable artist and his work has often been proved controversial, because they function as moral probes. He continually reveals emotive issues within his work practice. ...

...and especially by opening up the discussion to a powerfully engagé photo-realist like Helnwein, 'image and Enigma' proposes further possibilities and more intricate relationships, demonstrating that the energy of the enigmatic image has suffused yet more widely through current artistic practice.
from the unsettled unsettling times we live in, could we expect anything less? And could anything less than a lucid, concentrated collection of such work make the point as urgent as our times require? ...

"The world doesn't like people that are different than the average. Rulers throughout history have always hated those people that stick out of the masses, - the geniuses, the poets, monsters, artists, witches and saints; and usually they burned them or put them in dungeons, concentration-camps or mental institutions, thinking of what a nice and peaceful slave-camp this planet could be without them.
But for some miraculous reason this desert-town here seems to be different than the rest of the world, because here they don't mind these monsters, they actually seem to like them.
L.A. is the sanctuary for people with weird visions and impossible dreams. Maybe it's the last place on earth where dreams are still legal." ...

In November, America celebrated the 75th birthday of Mickey Mouse. In his long history, the world�s most famous rodent has not always lived up to his squeaky-clean image. As the following timeline makes clear, over the decades Mickey has been involved in a host of unsavory activities and turned up in all sorts of surprising and sometimes scandalous places. Mickey Mouse is a puzzle wrapped in an enigma wrapped in a pair of red shorts with yellow buttons...
February 2003: Outside Ozzy Osbourne's Beverly Hills mansion, shock rocker Marilyn Manson and modernist Viennese artist Gottfried Helnwein premiere two paintings that will be used as the artwork for Mansons album The Golden Age of Grotesque. The creepy images depict a heavily made-up Manson wearing Mouseketeer ears. ...

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